Archives for category: Original Patterns

Julie’s seamless Chesterfield pullover strikes that great balance between being easy to knit and fashionable to wear. The body and sleeves are worked circularly from the hem/cuff to the underarm. At that point, all pieces are joined together and worked circularly to shape the raglan yoke (also worked circularly, with no seams). The squishable ribbed turtleneck is worked last – and for those guys who feel a little stifled with all that wool up around their necks, substituting a simple stockinette rolled edge, or a shallow 1×1 ribbed neckband is a snap.

If you look closely at the fabric, you’ll notice that the colors have a marled appearance – this is achieved by working with two different colors of Loft (our fingering weight wool yarn) held together and treated as a single strand. The resulting fabric is the same as a worsted weight yarn, but with a beautiful, mottled look.

Between the combination of the colorblocking at the base of the garment and the marled yarn, five separate colors are used in total to create the look shown above. Again, if the colorblocking isn’t your (or your guy’s) cup of tea, the entire garment can easily be knit in a single color for a more traditional look.

The basic shape and construction of this garment allows for all kinds of individual modifications to suit your own tastes – I love seeing how knitters experiment and modify our designs. Isn’t that one of the best reasons for making your own clothes, after all? As an added bonus, Julie included a “girlfriend” version of the sweater that incorporates waist shaping to decrease bulk in the body, while maintaining an overall cozy, oversized feel. See photos of the modeled girlfriend version on Chesterfield’s pattern page.

The Hugo pullover is a modern take on the traditional fisherman’s gansey – with its low-relief allover cable motifs paired with handsome moss stitch. The traditional layout of cables contrasts more modern elements like the slashed ribbed turtleneck and updated silhouette.

Hugo‘s proportions sit closer to the body than a traditional pullover for a slimming effect; the long sleeves cover the full wrist while the body falls just below the belt line. This stylish silhouette creates an eye-catching update to the historic ganseys we all know and love.

Véronik chose to work up her design in Shelter‘s “Stormcloud” colorway – a rich, warm grey that features undertones of both brown and blue. A surprisingly versatile color, it pairs with both warm tones (as photographed), or cooler blue and grey shades (any shade of denim).

The slashed ribbed turtleneck has a garter stitch placket with snap closures, though it can be easily modified to feature traditional buttons/buttonholes, or knit circularly as a more traditional stand-up collar.

Today feels like a very “full-circle” experience for me as we release our very first collection of knitting patterns exclusively for men.

It doesn’t feel like so long ago that I was a new knitter, searching for male sweater patterns that suited my own tastes, needs, and abilities. Though the absence of such patterns was perhaps the single most influential factor in my path towards knitwear design, I’ve always remembered the frustration I felt as a result of my limited options.

Knitting has taken me on quite an unexpected and wonderful journey since then, and all along the way I’ve daydreamed about creating patterns for men that might help those knitters who find themselves in the same place that I was then – be you a male knitter yourself, or any knitter with a husband, brother, son, partner or friend who has at one time or another made that sacred request for a handknit sweater or accessory.

Last year, when I pitched the idea of a men’s collection to the design team, an immediate excitement engulfed. That fervor stayed strong all throughout the process – we’ve had a great time putting all the puzzle pieces of this collection together. In designing, we set out to create knits that were understated and easy to wear, but maintained details that made them special (and enjoyable to make by hand).

Selfishly, I loved having the excuse to design and create some of the pieces that I’ve been been wishing were in my own closet for quite some time!

The look book features the entire collection – 8 garments and 5 accessories – that cover a range of skill (and commitment) levels, from beginner to advanced.

 

;

We hope you enjoy our first small contribution to the genre of men’s knits!

_________________________

Resources: The BT Men look book can be viewed on our website here, or download the free PDF for viewing on your tablet or device.

Each pattern is available for instant download here, or on Ravelry.com. Brooklyn Tweed yarns used in the collection are available for purchase online, or at one of our 16 flagship retail locations.

 

Bolt comes to us from Finland, where designer Veera Välimäki loves playing with garter stitch, stripes and short rows. Having amassed quite the following for her creations, I was super excited to see what she would create for us!

I haven’t knit one myself (yet!), but can see this pattern being quite addictive. It has all the ingredients: an unusual item that is easy to wear and fun to style, use of two colors allowing for innumerable combinations, a fun rhythm while knitting, just enough shaping and variety to keep things interesting as you work while still qualifying as “mindless” knitting (perfect for almost any occasion), and a relatively quick timeline.

Choosing color is the hardest part for projects like this. Between Veera and I, it’s probably not a shocker that we chose a greyscale combination, but just think of all the different variations of color that are possible! I love the idea of Truffle Hunt + Hayloft,  Fossil + Sap,  Old World + Embers…. the possibilities are really endless.

The shawl is worked flat and includes no purling whatsoever (hooray!). The triangle on the right in the photo above is worked first, with a 6-ridge striping sequence. Upon completion, the short row section is picked up directly from Triangle 1 and worked in the opposing direction. The short rows create visible wedge shapes in the lighter color and add a slight curve to the overall shape. A short section of the 6-row striping sequence is worked again, then the piece is finished with a length of solid (darker) color.

I’m really looking forward to seeing what kind of Bolt variations are already being created by our readers – have fun!

_________

Resources: Bolt is available as a PDF download at Brooklyn Tweed or Ravelry. The pattern is knit with two colors of Loft yarn, shown here in colors Soot and Sweatshirt.

Frida was designed by Tokyo-based knitter Hiroko Fukatsu, one of three Japanese designers that contributed to this installment of Wool People.

I admit I have a special place in my heart for Japanese knitting – it’s a big source of inspiration in my own work and I’ve really enjoyed getting to know a few great folks from Japan in the past year who share a deep passion for knitting.

Roko submitted this shawl design as a finished sample she had already made and I was so charmed by the unexpected use of loop stitch – a “striped” application I had never seen before on this type of project – that I asked if she’d be willing to see how the shawl worked up in Loft. The result has a fun, funky quality that I think would be fun to style in a variety of ways.

Frida has a wider, shallower proportion than your average lace triangle, due to the non-traditional shaping sequence Roko deployed in the design. Bands of lace, stockinette and loop-stitch texture create stripes over the body of the shawl, which is worked from the top down. The scalloped lace edge is worked as a part of the main shawl – no additional edging is needed. Score another one for non-fussy construction!

_________

Resources: Frida is available as a PDF download at Brooklyn Tweed or Ravelry. The pattern is knit with Loft yarn, shown here in color Homemade Jam.

 

Hitch was designed by Mercedes Tarasovich-Clark in Alabama and has a great casual elegance about it. The dolman shape means that the garment is made with two pieces (front and back, with sleeves integrated). If you look closely at the direction of the garter stitch on the cuffs, you’ll see that the sleeves are worked sideways as a result.

While swatching at the beginning of the design process, Mercedes fell hard for this cable – which she said reminded her of thick links of chain (our inspiration for naming the design) – and built the rest of the sweater as a suitable “frame” for it.

I think the proportions are great – the deep garter hem, the front-only panel of chain cables, three-quarter sleeves and a wide boat neck. The fabric is lightweight – worked in Loft at a relaxed gauge – which means it has that “easy to throw on” thing going for it, too.

_________

Resources: Hitch is available as a PDF download at Brooklyn Tweed or Ravelry. The pattern is knit with Loft yarn, shown here in color Tent.

The beautiful Moon & Stars crescent shawl was also created up north – designer Shui Kuen Kozinski lives in the Boreal Forest of Canada and gave me the impression of being something of a sage as we walked through her design process together.

When Shui Kuen submitted her design proposal, she shared that she is often inspired by poems & stories. In this case, “The Moon, the Stars”  by poet Sully Prudhomme who won the first Nobel Prize in literature in 1901 ”in special recognition of his poetic composition, which gives evidence of lofty idealism, artistic perfection and a rare combination of the qualities of both heart and intellect”.

The shawl is worked from the top down using a gentle rate of increasing to create a wide, semi-circle shape. The welted section at top-center symbolizes the moon, while the two bands of gathered lace stitches that follow represent stars, large and small.

A very charming story of inspiration, don’t you think?

_________

Resources: Moon & Stars is available as a PDF download at Brooklyn Tweed or Ravelry. The pattern is knit with Loft yarn, shown here in color Old World.

Is it May already? This time of year always seems to fly right by – before you know it winter has slipped through the cracks and summer is right around the corner. The past few weeks have been positively delightful weather-wise; a late spring, but one that was definitely worth the wait!

Today I’m happy to announce our newest collaborative effort – the fifth (!) installment in our ongoing Wool People series is all polished up and ready for spring and summer knitting!

Back in August when I began mapping out the concepts and art direction for this collection, I thought it would be fun to do a sort of “shawl challenge” – since spring always seems to be the time when my own lace bug reawakens, hungry for a new project. Lace is perfect for outdoor knitting and travel, two things that many of us will do often in the coming months. I love how something as lightweight and portable as an in-progress shawl packs so much value in terms of both knitting time and mental satisfaction.

Standing on this end of the collection timeline, it’s rewarding to see finished design work from the 7 “lace whisperers” featured in this spread. A nice variety of both lace & textured stitch patterns, simple to more involved techniques, and essential shapes to knit and wear – all worked in soft and airy Loft.

Of course at the core, we are sweater people – no matter what the season – and this collection has more than just lace to offer. I received some beautiful garment and accessory design submissions in this group: great looks for layering during the evenings in chillier summer climates (you lucky people) or in anticipation of next fall. Both the Reverb cardigan and the Bolt scarf (shown below) just scream for autumn, and there’s plenty of knitting time to get them done!

The look book introduces the collection in its entirety with full page photography spreads showcasing the new designs along with blueprints that are intended to introduce the architectural/technical elements of each pattern. When considering a new knitting project, I always like knowing what I’m getting into with a schematic “road map” and some notes on construction, shape and assembly.

Between the aesthetic and technical components of the look book, I hope you’ll enjoy getting to know this new collection of work. Happy spring to each of you!

_________________________

Resources: The Wool People 5 look book can be viewed on our website here, or download the free PDF for viewing on your tablet or device. Each pattern is available for instant download here, or on Ravelry.com. Brooklyn Tweed yarns used in the collection are available for purchase online, or at one of our flagship retail locations.

One of my favorite parts about developing yarns is seeing how they inspire other designers – what textures and color combinations other people are inspired by always gets me thinking about the yarns that I use every day in new and different ways. Last year, Stephen West approached me to say he was interested in doing a full design collection using Shelter and Loft – I was flattered, and very excited by the idea of seeing what he would cook up. As we further discussed the project,  we decided we’d also collaborate on a special photoshoot of the finished work the following summer.

Last July, after Stephen had finished designing and knitting his pieces, we met in Iceland for the shoot. It was my first time visiting this beautiful country, and I was completely intoxicated by the dramatic, natural beauty that the country is literally bursting at the seams with. Surrounded by such a visual feast of nature, I barely made it through the exit doors of the airport before my camera was out and firing away.

Stephen has been releasing his designs from this collection over the past few weeks on Ravelry, and I wanted to take a moment to share some of the images from the shoot that I particularly like. Summer light in Iceland (as was the case in Shetland, the year before) is almost too good to be true. Soft, ambient, sometimes dramatic, other times ethereal. Suitable shooting conditions also last about 20 hours a day! It was such a joy to explore and work in this place.

It was amazing to see how the colors of the yarns melded so well with the surrounding colors in the landscape – like the blue-green waves of the ocean on a black sand beach (pictured above). In my mind, mother nature is the very best inspiration for color!

We had fun styling and shooting several of the samples on both the male and female model.

The Hófsos Pullover (also showed at the top of the post on our male model, Diddi) combines large stripes and marl effects in some of my favorite colors of Loft.

Stephen has a great color sense – I loved some of his playful, unexpected combinations, like Nest, Sap, Button Jar and Woodsmoke (in the Kex Scarf, seen below in Shelter).

Looking over these images again has been really enjoyable and reminds me of what a great experience we had there. I often daydream about a return to the Icelandic countryside for future photography work. I’d love to go at a totally different time of year to do some night photography during the “dark season” as well…

All the patterns pictured above are available for purchase here on Ravelry. Each pattern’s page includes extended yardage and color information. Stephen also did a great write-up about our shoot, with several behind-the-scenes pictures that give readers a glimpse of what a shoot looks like on the other side of the camera!

One of my favorite designs from the new winter collection is Grettir – a unisex Icelandic yoked pullover that I designed late last summer, after returning from my first-ever trip to beautiful Iceland.

The Icelandic yoke is a celebrated regional aesthetic that has seen increased global popularity in recent years. And though I’ve seen several of them in the US (in the streets of NYC, in advertising, etc), it wasn’t until I went to Iceland and witnessed these beautiful garments in their “natural habitat” that they really cast their spell over me.

Icelanders are proud of their knitting heritage, and taking a walk down any street in Reykjavik you’re likely to encounter several different variations of their signature colorwork yoke. What appealed to me most was how universal and utilitarian these garments are treated there – you’ll see them on all kinds of folks, regardless of age or profession. Even better, they look so lived-in, well-worn and loved – it is such a satisfying sight!

When I returned to the states, I resolved to research this classic yoke formula (pretty straightforward, once you get the hang of it!) and give it a go with an original design; Grettir is the result.

Another thing that really appeals to me about these designs is their versatility and ease of sizing. As long as you end up at the base of the colorwork portion with a multiple of 8 stitches on your needle, the yoke will work. Of course, yoke depth is an area that needs to be heeded (in the pattern I’ve designed four different variations of the yoke – each one slightly deeper than the next – to take care of that area).

Perhaps the best part of all, though: these are so much fun to knit! They seem to fly off your needles (at least relative to most sweater projects). Each piece is worked circularly from hem/cuff to underarm (mindless, therapy knitting if you ask me). Just when you are ready for something a little more exciting, you join your pieces together for a feast of colorwork. As you work the yoke, your rounds get smaller and smaller (faster and faster) which is certainly a motivator for the final sprint to the finish line. After the knitting is done, a simple graft at the underarms is all that’s left! No seaming, no complicated construction, just beautiful, seamless knitting at its best. (And suddenly I’m feeling the urge to make yet another.)

Both the men’s and women’s version have waist shaping: a very subtle amount for the guys, just enough to bring the waist in a touch so that there isn’t a ton of extra fabric hanging loose at the back (imperceptible when worn), and a more pronounced waist in the women’s version. The men’s yoke is deeper than the women’s as well. The schematic diagrams below show the difference between the two silhouettes.

 

 

Finally, I included two options for the neckline. I’ve had turtlenecks on the brain (I often do when it’s cold outside) so added a nice cozy one to the women’s version. If you prefer a cleaner finish, though, a rolled crew neck will be a better choice (pictured on the men’s version).

The garment uses a total of 4 colors – the main sweater color, plus 3 additional shades for the yoke. The possibilities are endless for how to combine colors here, and I could be happy just designing new combinations again and again. I’m really excited to see what colors you knitters combine!

As for the name – why Grettir? While visiting the northern coast of the country, I met a storyteller who recounted the amazing saga of Grettir – the longest surviving outlaw in Icelandic history. (Interested? More here.) I was particularly intrigued by the final chapter in the story: Grettir’s demise on the rocky cliffs of Drangey, a fortress-like stone island off the coast; an monolithic sight, visible from the very shoreline where I sat when hearing this tale.

____________________________

The Grettir pullover pattern includes a range of sizes for both men and women – full specs for each version can be found here at Brooklyn Tweed or on Ravelry.com. The design uses four colors of Brooklyn Tweed Shelter.