Archives for category: SHELTER

We’ve been dropping teasers for a few days over on our Facebook page, and this morning our newest creation is all ready to leave the nest! Today I’m very happy to introduce the fourth installment in our ongoing Wool People series! This issue features 15 new patterns from some of our favorite independent designers in the industry and offers a satisfying variety of sweaters, shawls and accessories.

Since the weeks and months leading up to the holidays tend to be consumed by (sometimes stressful) gift knitting, we thought launching in late December would offer some much needed incentive for getting those gifts finished. We all know the prospect of new patterns are often an essential component to finishing your WIPs, just in case the looming holidays weren’t enough!

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Each year when winter comes around, the urge for cable knits always wells up inside of me. It never fails. When I was organizing the mood boards and art direction for this collection I had that thought on my mind, so you’ll find several beautiful cable projects tucked into the pages of the Look Book.

We also love our shawls at Brooklyn Tweed – can’t get enough of ‘em – so we’ve got three new ones here. Its difficult to pick a favorite!

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We shot the collection earlier this month at the very inspirational Old American Can Factory on the Gowanus Canal in Brooklyn. The maze-like industrial complex was constructed between the years of 1865 and 1901 and has recently been reclaimed/repurposed by artists and craftspeople as a studio community. What was once a 130,000 sq. foot industrial canning complex is now an inspiring enclave of creative minds who have breathed new life into this bewitching place.

A dear friend of mine has a studio there and on a recent visit I was completely besotted with the giant steel doorways, long brick corridors, cavernous elevator shafts, and texture-filled courtyard. It seemed like the perfect place to bring our woolens on photoshoot day!

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It’s such a rewarding moment when the finished samples start arriving into our offices, and even more-so when it comes time to photograph them all together. It’s one of those “whole is greater than the sum of its parts” kind of moments, and truly magical seeing each designer’s concepts spring off the page and come to life.

The new Look Book is filled with photo spreads of the each garment and accessory in the collection. We’ve also included schematic diagrams, design specs and pertinent pattern information in the “Pattern Blueprints” section, so you can get to know the designs from a technical standpoint as well. Feel free to view directly in your browser below, or download a PDF for viewing on your devices.

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All 15 patterns from the collection are available today as instant PDF downloads both on Ravelry and brooklyntweed.net. We hope to offer some inspiration for the final days of 2012 – happy knitting to all!

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Resources: The Look Book can be viewed on our website here, or download the free PDF for viewing on your tablet or device. Each pattern is available for instant download here, or on Ravelry. Brooklyn Tweed yarns used in the collection are available for purchase online or at one of our flagship retail locations.

Next up on the “designs published last year” list: a pair of colorwork house socks designed for Clara Parkes’ third book The Knitters Book of Socks. If you’re not familiar with Clara’s books, I strongly recommend all of them, particularly if you are interested in learning about wool properties or yarn construction.

As many of you know, I’m not much of a sock knitter – I’ve never been seized by the fever, though I do find them entertaining to knit every once in a while. This was my first go at actually designing a pair and I had a great time doing it.

 

 

You may recognize the motif & color combination as a companion design to the Strago Mittens (Fall 2010). Sometimes when I get an idea in my head, just one design isn’t enough and I like to continue exploring further applications. In this case I thought the graphic patterning of the mittens would suit a pair of warm, stranded socks perfectly (herringbone hound that I am).

 

 

I remember now – this was the first design commission I did when developing Shelter. The two colors – Fossil and Long Johns – were, at the time, the only two colors from the palette that I had on hand at my studio (these were the very first two colors the mill produced). I took this as a sign that a companion sock to the mittens should happen.

 

 

The socks are worked from cuff to toe and utilize a short-row heel. The ribbed cuff, heel and toe are worked in a solid color, while the rest of the sock is worked in a graphic, 2-color chevron pattern. I think these would look great in a more subtle, tonal colorway as well. (Greys anyone?)

 

 

Shelter is by no means a sock yarn – and it doesn’t claim to be – though I’ve knit a couple of pairs that I wear in the winter to keep my feet warm around the house, and it does the job wonderfully. I think of them more like slippers than socks. The double-thick fabric of colorwork makes these particular socks more durable than a plain stockinette pair, and that much warmer.

 

 

As for the rest of the book – it’s packed with great sock patterns! Some of them were enough to get me considering trying a pair or two…though I’m wary of going down the sock yarn rabbit hole to do so! Many knitters have never returned.

I hope you enjoy these, along with the rest of Clara’s informative, well-written homage to knitting for our feet.

 

In the past few months, I’ve had a couple of designs published in books that I have yet to share here on the blog. The first of which is the Alpine Tweed cardigan, as featured in Ann Budd’s new book The Knitter’s Handy Book of Top Down Sweaters.

This book is a sequel to Ann’s wildly popular Knitter’s Handy Book of Sweaters, which was published in 2002 and acts as a sort of sweater recipe book for various styles and gauges of yarn. With her new book, Ann set out to create a companion handbook for garments that are worked from the top down (from collar to hem). The top-down knitting experience is fun and has some great advantages, like being able to try a garment on as you work in order to execute exact sleeve and body lengths.

Ann asked 4 designers to each create a garment for the various yoke styles outlined in the book: Raglan, Saddle-Shoulder, Set-In Sleeve and Round Yoke. Alongside my garment are designs from fellow BT Design Team Member Véronik Avery, Wool People 1 contributor Ann Hanson, and my dear friend Pam Allen. Ann has also designed several sweaters in each style. What good company!

My assignment was the set-in sleeve – an architecture that begins with the fronts and back of the garment yoke being worked separately down from the (shaped) shoulder seam to the underarm, where they are joined into one piece and the rest of the shaped body is worked seamlessly to the hem. The top-down sleeves – which are picked-up and worked directly from the armholes – begin with short rows to complete the set-in cap shaping. After completion of the cap, the sleeves are worked in a traditional circular fashion, shaped with decreases to the cuff.

The design features a fitted, hourglass waist, stranded colorwork yoke and body trim, three-quarter sleeves and a contiguous ribbed trim that tackles the body hem and button band in one fell swoop. The trim also features increased miter lines at the corner turns as well as a Tubular Bind Off, worked in a contrasting color. The ribbed collar is a subtle ribbed crescent – also shaped with short rows – higher at the back neck than at the front.

The design is knit with Shelter in colors Soot (sweater color), Sweatshirt and Homemade Jam (colorwork/trim colors).

I wanted to create a garment with a classic silhouette and plenty of subtle details. It was a fun experiment for me since I haven’t done too much designing with a top-down set-in sleeve construction. It’s always good to change things up and try something new!

 

The minute September arrives it’s like an internal alarm goes off in my head. I think it must be a knitter thing, because most of the knitters in my life have the same impulse. Despite the lagging humidity of summer, the first month of Fall is here and it’s a change you can feel. We are ready to knit again in a serious way, and savor the perfect mix of color, temperature and light that Fall brings.

Today we celebrate the arrival of Autumn with a brand new design collection: BT Fall 12. This collection marks the one-year anniversary of the formation of our in-house design team at BT and the introduction of two talented new members to that team. I’m very excited to introduce the work of Véronik Avery and Julie Hoover – two seriously talented women who have been a blast to collaborate with. Together with Michele Wang, we’ve been working on this (and future) collections for months, but are thrilled to finally show you our first collaboration as a foursome.

We also bid a fond farewell to one of our original design team members Leila Raabe, who has gone on to to work full time as Operations Manager at BT (don’t worry, we still plan to bug her for a design here and there as her schedule allows!).

BT Fall 12 features wool sweaters aplenty, as well as a handful of accessories that are perfect for Fall knitting. We shot our 18-piece collection on the grounds of a beautiful sugar shack just outside of Montreal, Quebec – quite a fitting backdrop for classic wool knits!

The look book is now available for you to view below (or download the PDF here for viewing on your tablet or device).

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Alongside the pattern collection, we also have exciting yarn news! The mill in Harrisville has been busy this summer, spinning up 15 new colors of Shelter; the expanded 32-color palette of custom-blended heathers now matches that of our Loft line. The new shades are shown below – oh, the possibilities!

I hope you’ll each have a great Fall – and that you find something here to enjoy. We’ve certainly had fun putting it together.

All my best,
Jared

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Resources
: All 18 patterns in the collection are available now as digital downloads on our web site here. Our Wyoming-grown wool yarns are available for purchase here. Download a free PDF version of the Fall 12 Look Book here.

 

When I first began knitting sweater patterns, I never felt completely sure of myself when choosing which size to work. Quite a disconcerting feeling to experience at the very beginning of a marathon knitting project – when choosing the wrong size can mean the success or failure of all your hard work.

Over the years – mostly from trial and error – I learned about the importance of ease when making (and more importantly, wearing) garments. Ease refers to the difference between a given measurement on a finished garment and that same measurement on the wearer’s body. Most commonly ease is discussed in reference to the chest/bust, since this is the measurement that most patterns are built upon – at least for traditional shapes and construction types.

True, there are “rules” about how much ease is recommended for a given style and fabric weight (a very important factor to remember), but I’ve also found that individual ease preferences significantly vary from person to person, depending on their own personal style and what they are comfortable wearing.

In our garment patterns at BT, we like to list a recommended ease amount – given by the designer – but also share how much ease is shown on the model in the photograph as a reference point for knitters to consider when making the fateful decision about which size to knit.

This week on our Facebook page, we’ve been sharing side-by-side images of a selection of the garments from Wool People 3 photographed on both of our models. Aside from having very different personal styles, Tessa and Hannah have different body shapes and sizes as well, so I thought it might be fun (and instructive) to share these images with specific fitting information, to help give knitters a better idea of how these small changes in size and fit effect the overall look of a garment. Below is a recap of those posts with this information – I hope you find this helpful!

Reine Cardigan by Alexis Winslow: shown here dressed up on Hannah (left) with 1″ of negative ease, worn over a light, summery dress. Tessa (right) dresses it down with a sleeveless top and jeans, with 2″ of positive ease. Because the fabric is knit with Loft, a fingering weight yarn, designs with negative ease are more wearable than when worked with a heavier fabric/yarn (worsted weight, etc.) Cardigans are often easier to wear with negative ease as well, since the open front allows fluid movement and versatile styling.

Breckon Cardigan by Amy Christoffers: Tessa (left) wears it relaxed over a light shirt dress with 3″ of positive ease. This comfortable fit is casual but not messy. Hannah (right) wears a more fitted style with zero ease (wearer and garment bust measurement is the same) over a collared shirt and pencil skirt.

Boardwalk Shell by Heidi Kirrmaier: This cap-sleeve garment is a versatile wardrobe item. We styled Tessa (left) with a denim shirt and skinny jeans. Tessa’s bust measurement is 2½” smaller than the garment. Remember that the addition of the shirt effects the final ease amount slightly. Hannah (right) wears Boardwalk alone with ½” of negative ease (her bust measures just slightly larger than the blocked garment).

Öljett Hat by Jenny Gordy: Hats are generally worn with 1-2 inches of negative ease at the brim measurement. Tessa’s head circumference is 1½” smaller than Hannah’s, so the hat fits in a “slouchier” way. Hat sizing is less of a mystery than garment sizing, but I threw this one into the mix, just for fun.

I’m off to Iceland for 10 days – one of my knitting “bucket list” destinations – for a much needed vacation, and to give my camera a workout. The best part is that it’s definitely sweater weather up there, so I can rouse my wool garments from their summer hibernation. See you in a couple of weeks!  –Jared

At Brooklyn Tweed HQ we always laugh to ourselves a bit about summer knitting. When all the seasonal publications are touting cotton and linen yarns and beach-appropriate knitwear designs, we find ourselves still knitting away with our wool, year in and year out. Since we know we aren’t alone in this religious use of wool, we figured why let fall and winter have all the fun? Why not do something for the devout wool-lovers of summer?

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It’s hard to believe that our third issue of Wool People is already here. Ever since launching our first issue last August we have had such a great time working with knitwear designers from around the globe for this series. While design work from our in-house design team is constantly under way, it’s fun and refreshing to get a chance to exchange input and ideas from a broader range of creative folks. The finished collections always feel like a secret that slowly reveals itself over the months from concept to production. You never know exactly how everything will come together until the end, which keeps the anticipation and excitement strong even from this side of the curtain.

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For this collection, we envisioned something clean and airy that focused on lightweight layering pieces and a summery palette of neutral heathers. We asked designers to think about soft, clean and wearable garments that would utilize Loft’s airy fabrics and tonal color range. The designers rose to the occasion and brought together a collection that is both diverse and cohesive. We really love what everyone came up with!

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As has become customary for the launch of a new collection, we’ve indulged ourselves a bit with a lusciously photographed Look Book – it’s the best way to get a feel for the range of the collection which features a total of 17 designs. You can view the Look ook in fullscreen mode by clicking “Expand” below. Remember that when viewing full screen, you can click anywhere on a page to zoom in further to read text or have a closer look at design details. If you’d like to download a free copy of the Look Book PDF for viewing on your tablet or smart phone, just click here.

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While the collection focuses primarily on garments – there are a handful of smaller-dose projects as well: hats, shawls, wraps and scarves. We like variety in our own knitting basket, so bring that same mentality to the table when putting together a collection roster.

Thanks to everyone for supporting our last two issues of Wool People and making #3 a possibility. We feel fortunate to continue exploring and refining our designer-friendly model of publishing, which hasn’t changed since our first round – Wool People designers receive a portion of every sale for the lifetime of their pattern, no matter what. We think this is important and allows designers to be compensated fairly for this highly specialized type of work. Don’t forget to check out our “Meet the Designers” section at the back of the Look Book to read about our talented contributors!

Happy summer knitting to all and enjoy the patterns!

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Resources: All 17 patterns in the collection are available now as digital downloads on our web site here. Our Wyoming-grown wool yarns are available for purchase here. Download a free PDF version of the Look Book here.

I’ve had several late nights of swatching recently… searching searching searching for the perfect balance of cables for some new design work. Composing with cables is always easier said than done – balance is everything.

Shelter in “Embers”

I’m still on the path with these, but the jewel-like colors glowing in the lamplight were too seductive – you know I’m a sucker for a good yarn halo.

Loft in “Birdbook”

 

Our home-grown yarns have made their first big trip across the ocean! We are so excited to announce our very first international stockist – Loop UK in London is now carrying the full palette of both Shelter and Loft. (We’ve also shipped plenty of printed patterns, so you’ll have something to knit with them.)

For knitters in the London area, feel free to stop by the lovely Islington shop to see and pet our wools in person.

I’ve gotten several questions about the Inversion Cardigan from our Spring Thaw collection and thought it would be a great topic to chat about today – both the specifics of the garment’s shape as well as the design process.

Inversion is a 2-way garment, meaning it can be worn right side up or upside down, depending on the fit preference of the wearer or the specific wardrobe context. The photos below show the cardigan on the dress form in both styles. The actual shape of the garment pieces couldn’t be simpler, as you’ll see below. I find the garment appealing both conceptually and stylistically, which is oftentimes a rare combination!

I’m always inspired by Japanese garment design and Origami – the Japanese art of paper folding – both of which were obvious influences as I composed this pattern.


When I’m working with a new-to-me shape, or wanting to experiment with a garment idea before committing to the full-size version of the design, I sometimes knit a half-scale model. Think of it as a dress rehearsal for a performance, or the trial meal you make the night before a dinner party to test out a new recipe (am I the only person who does this?). In the photos below you’ll see the original half-scale version on my half-scale dress form.

I knit the miniature with Shelter in Nest. (Generally it’s a better idea to work a half-scale garment in a yarn approximately half the weight as your target working yarn, but I started this little baby on the road and only had Shelter on hand.)

I’ve included a schematic diagram below to illustrate how the cardigan comes together as 2-dimensional shapes – you might be surprised to note that it’s merely two rectangles of differing lengths attached along their sides. The black circles and curved dotted lines indicate the parts of each piece that are joined to form the armholes. The small hash marks indicate areas that are mattress stitched during finishing.

 

 

You’ll notice that, though the garment is constructed as two rectangles, my pattern is written for three pieces (A, B and C). I wanted Pieces A and B to be perfect mirror images of each other so that the ribbed band that runs up either side (and the ribbed trims at the base) were perfectly symmetrical as the garment is worn. After completion of each piece, A and B are joined along the Graft Line, then Piece A/B and Piece C are blocked separately, to confirm their exact dimensions, before seaming all pieces together. To finish, ribbed bands are worked around each armhole.

The main portion of the garment fabric is simple stockinette, but the rib-like trim pattern is a motif that I’m presently enamored with. It’s a 2×2 garter rib where all knit columns are slipped every other row. The resulting motif is both firm and squishy and makes a great frame for the cardigan. It also lies completely flat, unlike true ribbing, so as not to distort the shape of the garment in any way while worn. (The half-scale version was trimmed with regular rib, which causes some subtle curves to the shapes as a result.)

Due to the slipped stitches within the garter rib pattern, the row gauge of the fabric is substantially different than the row gauge of the Stockinette areas. To reconcile these differences, the wide front bands of Pieces A and B are knit separately from the Stockinette sections (more rows must be worked to get fabric of the same length). These portions of A and B are seamed with Mattress Stitch during finishing (also shown with hash marks in the schematic above.)

It’s a fun design that very much pleases my grid-loving brain and may offer a nice change of pace from more traditional garment knitting, if that’s what your knitter’s heart is craving. The garment’s versatility gives it a throw-it-on-and-go nature that I value whenever buying or making clothing. For those of you who knit this one, I hope you enjoy it!  –Jared

Some classic black & white eye candy from Spring Thaw for you on this Thursday morning…

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